Most of you know I am curating a traveling exhibit, Color Wheel of Emotions which opens in August. I created a Facebook page dedicated to bringing the readers into the world of the artists by sharing interviews, tips and techniques. Recently I shared Peggy Brown's unique approach and it's just so cool that I wanted to share with you as well! Please feel free to go to the Facebook page to read more and view the artists stunning artwork... it's a treat!
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Changing Colors III |
Peggy Brown Shares Her
Techniques for Combining Mediums!
I want to thank Peggy for sharing her techniques with us. The end
results are beautiful and with her fearless approach perhaps other artists will
venture into the arena of combining mediums for unexpected results!
PB: The materials used to create “Changing Colors III” include
archival tissue paper, cotton flannel, a few pieces of silver leaf and
interfacing - all painted with transparent watercolor paint. The
darker pieces which compose the center of interest are digital transfers
which I fused to the painted background and edged with hand embroidered
blanket stitch. The image in the transfers (which in this case is mostly
just textured color) was cropped from one of my watercolor paintings
(on paper) using Photoshop to crop and print on treated fabric.
The process: I started with the three orangeish paper
sections. I tore pieces of archival tissue paper, placed them on a
painting support board, and sprayed them with water until wet thru. Next I painted
them with watercolor and let everything dry flat on the support board. The
paper and paint worked together to make various textures and the pigments
ran and blended. I never know how a piece is going to look until it is
dry - watercolor does wonderful things when left to be itself! (Refer
to photo of Peggy in her studio in below photo)
When dry I fused the painted tissue to larger pieces of
cotton flannel and repainted everything including the whitish sections. When
dry I gave the paper parts a coating of Acrylic Mat Medium.
The next step in the process included fusing the strips of
interfacing you see on the sides of the paper sections. I cannot remember
if I painted them first or after they were applied to the flannel but either
would work. Then I fused my center of interest - the darker transferred
pieces. Lastly I quilted thru everything. The paper doesn't tear
because the mat medium makes it strong. Please visit my website gallery for
more examples of my work.
700 Elm Street, Manchester, NH
August 15 - 18!